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Ghost games
© » KADIST

Anri Sala

Film & Video (Film & Video)

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach. The video produces a surreal impression, typical of Sala’s work, with no plot in the classical sense, no story being told. Like in Blindfold (2002), in which a sunrise is reflected in urban billboards, and Time After Time (2001), in which the figure of a horse emerges from darkness lit by the headlights of an automobile, Sala likes to explore the phenomenon of light and its effects; In Ghost Games , he uses the threatening reflection of the flash light through the darkness of the beach.

Versions
© » KADIST

Oliver Laric

Film & Video (Film & Video)

Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time. Comprised of several video and sculptural works that share the same title, the Versions series reflects Laric’s key concerns: the mutability of images and objects and the negotiation between original and copy. In this video, we see several 3D renders of recognizable objects and places, while an ubiquitous feminized robotic voice that evokes the domestic familiarity of voice recognition tools such as Siri and Alexa, speaks of issues relating to identity, language, and translation.

Baobab
© » KADIST

Tacita Dean

Film & Video (Film & Video)

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.

Good Life
© » KADIST

Danh Vo

Installation (Installation)

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo. The installation features a series of small square vitrines, inset, dark and precisely spot-lit. Inside these are framed photographs, mostly black and white, of young Asian men, taken, as the titles on the neat brass name plates tell us, in Vietnam in the 1960s and early 1970s.

Les Fleurs d’intérieur
© » KADIST

Danh Vo

Sculpture (Sculpture)

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

Photography (Photography)

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.

The Left Hand Can't See That the Right Hand is Blind
© » KADIST

Douglas Gordon

Film & Video (Film & Video)

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle. As suggested by the work’s title, each of the hands assumes a character with a distinct personality, as if we were witnessing a lovers’ quarrel and embrace, or the embodiment of opposing forces of an internal struggle. Gordon has previously created performance-based works depicting his own body or parts of it—arms, hands, fingers, eyes—usually enacting simple, repetitive movements.

This Exhibition
© » KADIST

Tino Sehgal

Performance (Performance)

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space. Upon hitting the cold, hard gallery floor, the seemingly confused interpreter writhes slowly on the ground while reciting a few lines from the curatorial statement in a whispered moan.

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

Painting (Painting)

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition.

Making Chinatown
© » KADIST

Ming Wong

Film & Video (Film & Video)

Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space.

The Making of Monster
© » KADIST

Douglas Gordon

Film & Video (Film & Video)

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver which also inspired Gordon’s through a looking glass ( 1999).

Corrupted file from page 14, (V1)
© » KADIST

Alessandro Balteo Yazbeck

Photography (Photography)

Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No. 1, 1974-1976 presents an interrupted image. The images capture scenes from an urban development, La Vega, built to modernize and connect favelas in Venezuela.

Untitled (Rolled up)
© » KADIST

Jonathan Monk

Sculpture (Sculpture)

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father. Jonathan Monk bridges a conceptual art and his family privacy, and ironically ensures that there is “no difference between Sol Lewitt and my mother, he does not know more than she do not know. ” What is the status of the O-backed chair rail to the white cube?

Meeting #100
© » KADIST

Jonathan Monk

Drawing & Print (Drawing & Print)

Meeting #100 is one in a series of text works by Jonathan Monk. In this series, the artist attempts to organize meetings somewhere in the world. The audience is given the details of a meeting—the place, date and time—and nothing more.

Map (from Uncertain Pilgrimage), 2006-2009
© » KADIST

Gareth Moore

Sculpture (Sculpture)

Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.

Berlin Remake
© » KADIST

Amie Siegel

Film & Video (Film & Video)

Berlin Remake ( 2005) combines extracts of East German films with images filmed by the artist in Berlin. While staying in Berlin, the artist found the locations where the official films were made and she juxtaposes the two in a synchronised double projection. Therefore on one screen there is Berlin between 1945 and 1989 and on the other Berlin in 2004.

Office Voodoo
© » KADIST

Haegue Yang

Sculpture (Sculpture)

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.

Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

Sculpture (Sculpture)

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.

No Position Available
© » KADIST

Ceal Floyer

Installation (Installation)

NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist. The “billboard sign,” like a ready-made, plays with the different meanings of the title, literally and abstractly. The repetition of the sign, as it has used in Minimal and Conceptual art, fills the space.

I heard stories
© » KADIST

Marwa Arsanios

Film & Video (Film & Video)

I’ve heard stories (2008) is one of Marwa Arsanios early works. It is a short animated film staging a story that took place at the Carlton hotel in Beirut. This work is the first part of a longer project on this iconic building.

Sideways Time
© » KADIST

Olivia Erlanger

Sculpture (Sculpture)

Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity. Consumption and the construction of value are a frequent concern of her sculptures that explore the structural friction between a public and private. Erlanger looks to the architecture that connects these systems for inspiration and in this sense, the language of scaffoldings, foundations and facades that percolate throughout her work.

Carlton Hotel project
© » KADIST

Marwa Arsanios

Installation (Installation)

Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut. Designed by Polish architect Karol Shayer, it was destroyed in 2008 (date of the project’s creation). This project is multifaceted, always transforming into different forms and involving a series of collaborations: the first step took place as part of the “traveling curtains project”, which consisted in recuperating the curtains from the Carlton hotel before its demolition and sending them to different cities throughout the world where they would be subject to new interventions and transformations by artists, among whom Marwa Arsanios.

Muster
© » KADIST

Clemens von Wedemeyer

Film & Video (Film & Video)

Clemens von Wedemeyer has imagined a trip back in time at Breitenau. Starting with events that happened there from 1933 to 1945, the German artist has composed three stories that reach the years of the women’s reformatory, in the 1970s, with a different protagonist for each era. A work that attempts to bring out the “pathology” of the site, as the artist tells Bert Rebhandl, and at the same time its “unforgettable” status as a black hole in the history of Germany, that sucked up innocent lives for almost a century.

Faltenwurf (Stairwell)
© » KADIST

Wolfgang Tillmans

Photography (Photography)

Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold. The title is taken from a Germanic term used in the context of art history, designating classical drapery. In this particular photograph, Faltenwurf (Stairwell) , an assortment of various colored clothes lay tangled on a set of stairs, as a sculpture of abstract forms.

¿Quién medirá el espacio, quién me dirá el momento?, 1 (columna alfarero)
© » KADIST

Mariana Castillo Deball

Sculpture (Sculpture)

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015. The sculpture, employing the technique of traditional Atzompa pottery originating from Oaxaca, Mexico, is an examination of the way in which archaeological heritage is remembered in the earthenware made by Atzompa potters today. Accompanied by the publication ‘Ixiptla Vol.

The Guestbook
© » KADIST

Musquiqui Chihying and Gregor Kasper

Film & Video (Film & Video)

Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo. The guestbook in question—a thin, battered copy that Do Do, the Togolese protagonist of the film, finds in Berlin’s State Library—is filled with the signatures of colonial-era explorers. The plot follows Do Do as he seeks out Treptower Park, where the JAZZ musician Kwassi Bruce was once exhibited in a human zoo in the first German Colonial Exhibition.

Mimbres pottery kill hole sequence
© » KADIST

Mariana Castillo Deball

Installation (Installation)

Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object. They are playful and exaggerated representations of “kill hole pottery” — ceramic dishes in the Mimbres tradition with distinct circular holes located in the center of the pots. Although very little is known about the Mimbres culture’s specific beliefs, they are loosely understood to have terminated the object symbolically in preparation for funerary use.

Pair of shoes / Shoes with eggs
© » KADIST

Hans-Peter Feldmann

Installation (Installation)

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Verging on a form of fetichism, his shoe collections are a case in point and indeed, for some exhibitions, he even asked gallery employees for their shoes. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities.

Omer Fast

Jonathan Monk

Haris Epaminonda

Epaminonda’s video works are based on re-shot excerpts of film and television footage – principally the Greek soap operas and kitsch romantic films fromthe 1960s that used to fill up Sunday afternoons in the artist’s Cypriot childhood –which she then subtly reworks...

Mariana Castillo Deball

Douglas Gordon

Clemens von Wedemeyer

Hans-Peter Feldmann

Christine Sun Kim

Marwa Arsanios

Marwa Arsanios is born in 1978 in Washington, United-States...

Tirdad Hashemi

Leaving Iran in 2017, Tirdad Hashemi now cultivates perpetual movement, between their hometown of Tehran, Istanbul, Paris, and Berlin...

Thomas Kilpper

Xu Tan

Kitty Kraus

Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...

Haegue Yang

Danh Vo

Markus Amm

Markus Amm studied graphic design at the Hochschule für Gestaltung in Offenbach, Germany...

Artur Zmijewski

Tino Sehgal

Nora Schultz

Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...

Ming Wong

Amie Siegel

Oliver Laric

Matti Braun

Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...

Judy Chicago

Nathalie Djurberg

In the late 1990s, Nathalie Djurberg started to work with Super 8 film, then video, staging plasticine models or puppets...

Christine Sun Kim and Thomas Mader

Christine Sun Kim and Thomas Mader have been collaborating for the last 5 years, covering communication in a variety of formats such as recording an overnight shipment from Berlin to New York ( Recording Contract , 2013), compiling 24 hours of invited contributors’ studio time ( Busy Day , 2014), and using the arm game, a combination of body and face, in order to describe a series awkward situations ( Classified Digits , 2016)....

Ceal Floyer

Carolina Caycedo

Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity...

Brody Condon

Brody Conlon is an American (born 1974 in Mexico) based in Berlin...

© » ARTNEWS

this quarter (02/12/2024)

Pro-Palestine Protestors Interrupt Tania Bruguera Event in Berlin Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 12, 2024 10:46am Tania Bruguera performing Where Your Ideas Become Civic Actions (100 Hours Reading The Origins of Totalitarianism) at the Hamburger Bahnhof...

© » ARTSY

this quarter (02/12/2024)

Neo-Expressionist artist Karl Horst Hödicke has died at 85...

© » THEARTNEWSPER

this quarter (02/12/2024)

Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests A statement from the museum says the incident involved activists using “hate speech” towards one of the readers and a museum director Gareth Harris 12 February 2024 Share Tania Bruguera invited artists, activists and members of the public, read from Hannah Arendt’s The Origins of Totalitarianism © Estudio Bruguera / Nationalgalerie – Staatliche Museen zu Berlin / Jacopo La Forgia The artist and activist Tania Bruguera’s non-stop reading of Hannah Arendt’s The Origins of Totalitarianism at Hamburger Bahnhof in Berlin was halted on Saturday (10 February) after pro-Palestine protestors disrupted the event...

© » DAZED DIGITAL

this quarter (02/10/2024)

Bringing you the best of Berlin Fashion Week AW24 Womenswear | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Fashion Feature From Sia Arnika and SF 1 OG, to Shayne Oliver’s Anonymous Club, here’s everything that went down at the German city’s fashion fair 10 February 2024 Text Elliot Hoste Berlin Fashion Week AW24 35 It might have been founded 17 years ago, but Berlin Fashion Week is a relative newborn in comparison to its Big Four siblings...

© » THEARTNEWSPER

this quarter (02/09/2024)

Is censorship on the rise in the West? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast Is censorship on the rise in the West? Plus, Frank Auerbach at the Courtauld and an Indian painting from Howard Hodgkin’s collection Hosted by Ben Luke ....

© » THEARTNEWSPER

about 3 months ago (02/07/2024)

German Academy of Arts opens Otto Dix archive—and recalls a scandal Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Otto Dix news German Academy of Arts opens Otto Dix archive—and recalls a scandal Dix’s war painting The Trench, lost during the Second World War, is in focus at the opening Catherine Hickley 7 February 2024 Share Otto Dix's Der Schützengraben (The Trench) (1923) provoked a strong reaction when it was first displayed 100 years ago Photo: Hugo Erfurth, Akademie der Künste Berlin, Otto-Dix-Archiv A century after Otto Dix’s First World War painting The Trench (1923) provoked an outcry when it was displayed at the Prussian Academy of Arts in Berlin, the institution's successor, the Germany Academy of Arts , is opening to the public the inventory of the artist's works that he compiled—somewhat grudgingly...

© » HYPERALLERGIC

about 3 months ago (02/06/2024)

Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...

© » ART PIL

about 3 months ago (02/06/2024)

The Berlinale is a unique place of artistic exploration and entertainment...

© » FAD MAGAZINE

about 3 months ago (02/01/2024)

Public Gallery now represent Nils Alix-Tabeling - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Public has announced the representation of French artist Nils Alix-Tabeling (b...

© » ARTSY

about 3 months ago (01/31/2024)

How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration | Artsy Skip to Main Content Advertisement Art Market How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration Maxwell Rabb Jan 31, 2024 6:46PM Gulnur Mukazhanova Untitled, from the series ‚Self Portaits‘ , 2023 Galerie Michael Janssen €9,000 Portrait of Michael Janssen...

© » ARTEFUSE

about 3 months ago (01/25/2024)

Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...

© » FLASH ART

about 3 months ago (01/09/2024)

Alfredo Aceto "3" Hua International / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » ART PIL

about 4 months ago (01/08/2024)

Victoria Razo is a freelance documentary photographer born in the Port of Veracruz, Mexico...

© » FLASH ART

about 4 months ago (01/07/2024)

Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » ARTNEWS

about 4 months ago (12/14/2023)

German Dealer Johann König Opens a New Berlin Gallery – ARTnews.com Skip to main content By Francesca Aton Plus Icon Francesca Aton Associate Digital Editor, ARTnews and Art in America View All December 14, 2023 3:02pm König Telegraphenamt, Berlin, Germany...

© » THEARTNEWSPER

about 4 months ago (12/14/2023)

Dealer Johann König opens second Berlin gallery in former telegraph office Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Commercial galleries news Dealer Johann König opens second Berlin gallery in former telegraph office This is the first König space to launch since a number of artists left the gallery's roster last year Catherine Hickley 14 December 2023 Share König Telegraphenamt is located on Museum Island in Berlin Courtesy of König Galerie ​The Berlin dealer Johann König is tomorrow opening a new gallery next to the city’s Museum Island in a building that once housed the postal service’s telegraph office...

© » THEARTNEWSPER

about 4 months ago (12/14/2023)

Berlin’s state museums raise ticket prices as costs climb Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Berlin’s state museums raise ticket prices as costs climb “We have to increase income and reduce spending,” says Hermann Parzinger, the president of the Prussian Cultural Heritage Foundation Catherine Hickley 14 December 2023 Share Tickets to Berlin's Bode Museum will increase from €10 to €12 © Fi onn Große Admission to Berlin’s state museums will increase next year to cover rising costs, the Prussian Cultural Heritage Foundation has announced...

© » ARTNET

about 4 months ago (12/12/2023)

Increasingly, cultural workers are discussing boycotting Germany...

© » HYPERALLERGIC

about 5 months ago (12/06/2023)

Sergio Zevallos’s Rituals of Disobedience Skip to content Sergio Zevallos, from the series Que tu Carne es el cielo recién nacido (1983), color chalk drawings (all images courtesy the artist unless otherwise noted) BERLIN — Peruvian artist Sergio Zevallos is a cult figure in Latin American art...

© » SOUTH CHINA MORNING POST

about 5 months ago (11/18/2023)

Transcending the Israeli-Palestinian conflict, this musical ensemble plays a message of hope for the Middle East | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The West-Eastern Divan Ensemble at the Pierre Boulez Saal concert hall in Berlin, Germany...

© » LARRY'S LIST

about 7 months ago (10/05/2023)

According to the art collector data company Larry's List, the burgeoning private museums sector now comprises 446 institutions worldwide, 111 of which have opened since 2016...

© » FRANCE24

about 8 months ago (08/31/2023)

Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' - arts24 Skip to main content Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' Issued on: 31/08/2023 - 16:57 11:45 ENCORE!...

© » LARRY'S LIST

about 18 months ago (10/18/2022)

Collector Patrizia Sandretto Re Rebaudengo Reflects on Her Grand Tour of Europe This Past Summer - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Top Collector Thomas Olbricht to Sell Works from His Collection Following Berlin Museum Closure - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Heiner Pietzsch, Collector Who Donated Surrealist Art Holdings to Berlin Museums, Is Dead at 91 - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Collector Julia Stoschek May Close Berlin Private Museum, Home to Ambitious Video Art Shows - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Markus Hannebauer will show his collection of time-based art in the former headquarters of the US Army in Berlin....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Plus, a 3D photograph of Banksy sells for just under $45,000, and a Berlin museum loans the Namibian government 23 objects in a partnership to assess their provenance....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Durjoy Rahman speaks with STIR about his vision, and plans about his recent initiatives through an art foundation based in Berlin and Dhaka....

© » RANDIAN ART MARKET

about 56 months ago (09/03/2019)

by Chris Moore The China art market faces its most difficult period since 2008...

© » KADIST

about 34 months ago (07/06/2021)

© » KADIST

about 49 months ago (03/30/2020)

© » KADIST

about 88 months ago (01/19/2017)

© » KADIST

about 111 months ago (03/18/2015)

© » KADIST

about 111 months ago (03/01/2015)

© » KADIST

about 140 months ago (11/01/2012)

© » KADIST

about 140 months ago (10/31/2012)

© » KADIST

about 141 months ago (09/15/2012)

© » KADIST

about 143 months ago (07/19/2012)

© » KADIST

about 143 months ago (07/19/2012)

© » KADIST

about 146 months ago (04/17/2012)

© » KADIST

about 168 months ago (06/23/2010)

© » KADIST

about 185 months ago (02/02/2009)

© » KADIST

about 195 months ago (04/11/2008)

© » KADIST

about 210 months ago (01/25/2007)

© » KADIST

about 223 months ago (01/11/2006)